23rd French Film Festival [fr]
The Embassy of France to the Philippines, Institut Français, UniFrance, the Alliance française de Manille, and the Film Development Council of the Philippines, in cooperation with the Ayala Malls Cinemas, SSI Group, Inc., and Central Square, present the 23rd edition of the French Film Festival in the Philippines !
Continuing its tradition of offering the best of French contemporary and classic cinema to Filipino movie-goers, this year’s edition proposes a selection of films for the following dates and venues in Metro Manila:
June 6 to 12, 2018 – Greenbelt 3 cinemas, Makati City
June 8 to 12, 2018 – Bonifacio High Street cinemas, Central Square, Taguig
June 10 and 11, 2018 – UP Town Center cinemas, Quezon City
The festival will also make its way for the first time ever to the Abreeza Mall, Davao City on June 21 and 22, 2018, and also back to its loyal audience at the Ayala Center Cebu from June 25 to 27, 2018.
Tickets for each screening in Metro Manila are priced at PHP 150 to cover the operational costs of the cinema and may be purchased at the box office or through www.sureseats.com.
The films will be screened to the public free of charge for the duration of the festival in Davao City and Cebu City. Tickets will be available at the ticket booth one hour before the start of each screening.
“Among the aims of French cultural diplomacy is to promote cultural diversity through cinema. In the Philippines, the French Film Festival has been giving the Filipino public a glimpse of French culture and society for 23 years. It provides an alternative to the commercial programming of movie theatres, thereby promoting this diversity to the local audience,” explained French Ambassador Nicolas Galey.
For its 23rd edition, the French Film Festival screens 21 films that embody the richness and depth of French society through the creativity of French filmmakers. Highlighted this year is the recently released fifth installment of the action-packed blockbuster, TAXI, which screens for the first time in Manila during the festival’s red carpet premiere night on June 8, 2018.
The 23rd French Film Festival also features a retrospective of films by acclaimed director Jean-Pierre Melville, who pioneered French film noir between the 1940s and the 1960s.
Finally, the festival continues its tradition of paying tribute to Philippine cinema. On June 12, Philippine Independence Day, the French Film Festival is honored to feature two films by Raymond Red, a pioneer of Philippine independent cinema and the first Filipino to be awarded the Palme d’Or at the Cannes Film Festival for his short film, Anino, which will be screened at the festival together with Himpapawid. Joining the Philippine line-up is Bagahe, the latest film by up-and-coming director Zig Dulay, which won the grand prize (Cyclo d’or) of the Vesoul Asian Film Festival this year.
The 23rd French Film Festival in the Philippines is presented by the Embassy of France to the Philippines, Institut Français, UniFrance, the Alliance française de Manille, and the Film Development Council of the Philippines, in cooperation with the Ayala Malls Cinemas, the SSI Group, Inc., Central Square, and with the support of Lacoste, L’Occitane, Diptyque, Peugeot Philippines, Marithé François Girbaud, Pioneer Films, CMB, Paris Délice, Don Papa, Le Cellier, Taters, Chimara, and media partners Expat Newspaper and Spot.ph.
For inquiries, contact us at email@example.com or 0966-389-9119.
Cézanne et moi (Cézanne and I) (2016)
Director: Danièle Thompson
Starring: Guillaume Canet, Guillaume Gallienne, Alice Pol, Sabine Azéma, Déborah François
Running time: 1h 56m
Synopsis: They were rebels, fearless and curious, and they loved each other the way you love when you’re 13. Hopes, doubts, girls, dreams of glory: they shared it all. Paul is rich and Emile poor. They haunt the same places, sleep with the same women, and spit together on the bourgeoisie that spits right back. They draw by day the models with whom they spend their nights, and hop on a train for thirty hours just to catch a sunset. Now, Paul Cézanne is an artist and Emile Zola a writer. Fame has passed Paul by while Emile has it all: glory, money & a perfect wife – the woman Paul used to be in love with. They judge each other, admire each other, confront each other. They lose touch and meet again, like a couple that cannot stop loving each other.
Director: Étienne Comar
Starring: Reda Kateb, Cécile de France
Running time: 1h 55m
Synopsis: Paris, 1943. During the German Occupation, gypsy Django Reinhardt, a true hero of the guitar, is at the peak of his career. Every night, he has Paris reeling to his swing music at the Folies Bergères, while his gypsy brethren are hunted down and massacred throughout Europe. When the German propaganda ministry wants to send him to Berlin for a series of concerts, he senses imminent danger and decides to flee to Switzerland with the help of one of his admirers, Louise de Klerk. He travels to Thonon-les-Bains, on the bank of Lake Geneva, with his pregnant wife, Naguine, and his mother, Negros, but their escape is more complicated than anticipated. The three end up plunged into the turmoil of World War 2. During these difficult times, Django Reinhardt remained an exceptional performer and composer who resisted with his art and his sense of humor, constantly seeking a form of musical perfection.
Épouse-moi mon pote (Marry Me, Dude) (2017)
Director: Tarek Boudali
Starring: Tarek Boudali, Philippe Lacheau, Charlotte Gabris, David Marsais, Julien Arruti, Baya Belal, Philippe Duquesne
Running time: 1h 32m
Synopsis: Yassine, a young Moroccan man, comes to Paris to study architecture on a student visa. But due to an unfortunate incident, he fails his exams, loses his visa, and finds himself an illegal immigrant in France. To remedy the situation, he marries his best friend. Just when he thinks everything is taken care of, a tenacious immigration investigator decides to follow them to make sure it wasn’t a sham marriage.
Louise en Hiver (Louise by the Shore) (2016)
Director: Jean-François Laguionie
Running time: 1h 15m
Synopsis: At the end of summer, an old lady watches as the last train of the season leaves the small seaside station of Biligen without her. The town is deserted. The weather rapidly deteriorates and the arrival of high tides cuts electricity and all means of communication. Fragile and neat, not half as tough as Robinson, Louise may not survive winter.
Orpheline (Orphan) (2016)
Director: Arnaud des Pallières
Starring: Adèle Haenel, Adèle Exarchopoulos, Solène Rigot, Vega Cuzytek, Jalil Lespert, Nicolas Duvachelle
Running time: 1h 51m
Synopsis: Four moments in the lives of four female characters. A little country girl, caught up in a tragic game of hide-and-seek. A teenager runaway who bounces from man to man because anything is better than grim family life. A young woman who moves to Paris and has a brush with disaster. And finally, an adult woman who thought she was safe from her own past. Little by little, these characters form one and the same heroine.
Personal Shopper (2016)
Director: Olivier Assayas
Starring: Kirsten Stewart, Anders Danielsen, Lars Eidinger, Sigrid Bouaziz
Running time: 1h 45m
Synopsis: Maureen is a young American woman in Paris making her living as a personal shopper for Kyra, a celebrity. Also, Maureen may have the psychic ability to communicate with spirits, just like her twin brother, Lewis, who recently passed away. She soon starts receiving ambiguous messages coming from an unknown source.
Polina, danser sa vie (Polina) (2016)
Director: Angelin Preljocaj, Valérie Müller-Preljocaj
Starring: Anastasia Shevstova, Véronika Zhovnitska, Nils Schneider
Running time: 1h 48m
Synopsis: Moscow, early 90s. Polina, aged 8, is a gifted ballerina. Coming from a modest background, she joins the prestigious school of Professor Bojinsky, who trains dancers for the Bolshoi. He immediately grasps her tremendous potential and makes her work so hard that, at only 18, her dream finally comes true as she enters the prestigious Bolshoi. This is when she meets Adrien, a charming French dancer. He will help her to discover not only love but, more importantly, a new form of dance, more contemporary and expressive, a kind of dance that will change her life forever. From Moscow to Aix-En-Provence and Antwerp, from success to disillusion, we follow Polina’s incredible destiny.
La Prière (The Prayer) (2018)
Director: Cédric Kahn
Starring: Anthony Bajon, Damien Chapelle, Alex Brendemühl, Louise Grinberg
Running time: 1h 47m
Synopsis: To stop using drugs, twenty-two-year-old Thomas joins an isolated community in the mountains. Run by former drug addicts, the members overcome their addiction through prayer and work. Here, Thomas discovers friendship, rules, love, and faith.
Rock’n Roll (2017)
Director: Guillaume Canet
Starring: Guillaume Canet, Marion Cotillard
Running time: 2h 3m
Synopsis: At the age of 43, Guillaume Canet has every reason to be happy. Yet his life with Marion, his son, his country house, and his horses all make him look like a has-been. He seems to have lost his sex appeal. Guillaume understands that he must change everything, and fast. And he’ll have to go to great lengths to do so, while his nearest and dearest look on with amazement.
Seuls (Alone) (2014)
Director: David Moreau
Starring: Sofia Lesaffre, Stéphane Bak, Jean-Stan du Pac, Thomas Doret
Genre: Science fiction
Running time: 1h 30m
Synopsis: Leïla, 16, wakes up in an empty city. Where are her parents? Where has everyone gone? Thinking she must be the sole survivor of a mysterious catastrophe, Leïla wanders the strangely deserted streets of Fortville and eventually meets four other teenagers. Together, they join forces and attempt to survive in a desolate and increasingly hostile world. But are they really alone?
Taxi 5 (2018)
Director: Franck Gastambide
Starring: Franck Gastambide, Malik Bentalha, Bernard Farcy, Sissi Duparc
Running time: 1h 42m
Synopsis: Sylvain Marot, a Parisian cop and exceptional driver, is transferred to the Marseille Municipal Police against his will. Ex-commissioner Gibert, who has become city mayor and the lowest in the polls, entrusts him with the mission to stop the formidable "Gang of Italians" who steals jewelry with the help of the powerful Ferrari. But to do this, Marot will have no choice but to work with Eddy Maklouf, the grand-nephew of the celebrity Daniel and the worst driver in Marseille, but the only one to have recovered the legendary white TAXI.
Une Vie (A Woman’s Life) (2015)
Director: Stéphane Brizé
Starring: Judith Chemla, Jean-Pierre Daroussin, Yolande Moreau
Running time: 1h 59m
Synopsis: Set in Normandy in 1819 and adapted from the classic French novel “Une Vie” by Guy de Maupassant, the film recounts the trials and tribulations in the life of a young woman from the day she returns home from a convent and whose heart is awakened by a local viscount.
Voyage à travers le cinéma français (A Journey Through French Cinema) (2016)
Director: Bertrand Tavernier
Running time: 3h 11m
Synopsis: This work as a citizen and a spy, as an explorer and a painter, as a columnist and an adventurer that has been described so well by many authors, from Casanova to Gilles Perrault, is a beautiful definition of a filmmaker that we want to apply to Renoir, Becker, to the Vigo of L’Atlante, to Duvivier, as well as to Truffaut and Demy, to Max Ophuls and also to Bresson. And to these lesser known filmmakers, Grangier, Gréville, or Sacha, whom through a scene or a film, illuminate an emotion, reveal surprising truths. I would like this film to be an act of gratitude to all the filmmakers, scriptwriters, actors, and musicians who suddenly appeared in my life. Memory warms us up: this film is a bit of coal for winter nights.
Yves Saint Laurent (2014)
Director: Jalil Lespert
Starring: Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet, Marie de Villepin
Running time: 1h 40m
Synopsis: Paris, 1957. Barely 21 years old, Yves Saint Laurent is handed the reins of the prestigious fashion house founded by Christian Dior, who has recently died. During his first fashion show, which is a triumph, he meets Pierre Bergé. This encounter will change his life. Lovers and business partners, three years later the two men become partners and form the Yves Saint Laurent label. Despite his obsessions and his inner demons, Yves Saint Laurent gets ready to revolutionize the world of fashion with his modern and iconoclastic approach.
To celebrate the centenary of one of the most influential directors of all time, Institut Français has curated a retrospective of masterpieces by the iconic director, Jean-Pierre Melville – the master of French film noir.
24 heures dans la vie d’un clown (24 Hours in the Life of a Clown) (1946)
Running time: 18m
Synopsis : A day in the life of Beby the clown and his partner, Maïs, who find their inspiration and gags in the streets, which they then perform at night in the circus.
Le Silence de la mer (1948)
Running time: 1h 26m
Synopsis : In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each evening the officer warms himself by the fire and talks of his country, his music, and his idealistic views of the relationship between France and Germany. That is, until he visits Paris and discovers what is really going on...
Bob Le Flambeur (1956)
Genre: Film noir
Running time: 1h 40m
Synopsis : In Paris’s Montmartre district, everyone knows Bob, a well-dressed compulsive gambler. He’s generous, moralistic, drives a two-toned convertible coupe, lives in a swank apartment, and has the respect of the police. But he’s on a losing streak, and even when he hits it big at the track, he loses at the Deauville casino. When he learns that the casino keeps a fortune on Grand Prix weekend, he plots a robbery. Subplots trace a seemingly innocent coquette’s social climb and the greed of a croupier’s wife who betrays the thieves.
Léon Morin Prêtre (Léon Morin, Priest) (1961)
Running time: 2h 10m
Synopsis : In a small French town during the Occupation, Barny (Riva) is a young, wayward, sexually frustrated widow, living with her little girl. She is also a communist militant who long ago decided that the easiest way was the best. One day she enters a church, randomly chooses a priest (Belmondo) to confess to and, while in confessional, attempts to provoke him by criticizing Catholicism. Instead of being affronted, the priest engages her in an intellectual discussion regarding religion. The priest is Leon Morin, young, handsome, smart and altruistic. He invites Barny to continue the conversation outside of confessional. She begins regularly seeing him and is impressed by his moral strength, while he makes it his mission to steer her onto the right path.
Le Doulos (Doulos: The Finger Man) (1961)
Genre: Film noir
Running time: 1h 46m
Synopsis : The narrative unfolds through two characters, Maurice and Silien, and consistently switches back and forth between them, leading the audience to grasp randomly for a distinct main character or hero (despite the fact that both are criminal anti-heroes). Through Maurice and Silien’s actions, the film explores just how deeply qualities such as friendship and loyalty run.
Le Doulos begins by introducing us to Maurice, an ex-con, just released from prison after serving a six-year sentence. He then murders his friend, Gilbert, and steals the jewels he had been hiding, products of a recent heist. Shortly afterwards, Maurice plans a heist of a rich man’s estate and shares his plan with Silien, who is rumored to be a police informant. Silien is later picked up and questioned by the police. The film unfolds from there, incorporating a number of plot twists revealed through Melville’s traditionally styled hard-boiled dialogue and picturesque visuals.
L’Armée des ombres (Army of Shadow) (1969)
Running time: 2h 15m
Synopsis : France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance’s chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, and joins his network at Marseilles, where he makes the traitor be executed... This non-spectacular movie (do not expect any Rambo or Robin Hood) shows us rigorously and austerely the everyday of the French Resistants : their solitude, their fears, their relationships, the arrests, the forwarding of orders and their carrying out...
Le Cercle rouge (The Red Circle) (1970)
Genre: Film noir
Running time: 2h 20m
Synopsis: Corey is a cool, aristocratic thief, released from prison on the same day that Vogel, a murderer, escapes from the custody of the patient Mattei, a cat-loving police superintendent. Corey robs Rico, his mob boss, then enlists Vogel and an ex-police sharpshooter, Jansen, in a jewel heist. While Corey is harried by the vengeful Rico, Mattei pressures Santi, a nightclub owner and pimp, to help him trap the thieves. Over all hangs the judgment of the police directeur, that every man is guilty.
Anino (Shadows) (2000)
Director: Raymond Red
Starring: Eddie Garcia, Ronnie Lazaro, John Arcilla
Genre: Short film
Running time: 12 minutes
Synopsis: A down and out church photographer, hungry and penniless, wanders from the church, through the shadows of the imposing city and clashes with its various mysterious characters.
Himapapawid (Manila Skies) (2009)
Director: Raymond Red
Starring: Raul Arellano, John Arcilla, Ronnie Lazaro, Soliman Cruz
Running time: 1h 36m
Synopsis: Manila Skies is the story of a desperate, simple man from the countryside trying to make a living in the metropolis of Manila. He keeps stumbling as he moves from one ’station of the cross’ to another. In desperation, he joins an amateur gang plotting a heist, to get even with a corrupt employer. This ultimately goes wayward and ends in devastation. Further hounded by guilt that his father is helplessly ill, he draws his last straw and plots the insane hijacking of a plane to finally take him to his ultimate destination - home or hell.
Bagahe (The Baggage)
Director: Zig Dulay
Starring: Angeli Bayani
Running time: 1h 36m
Synopsis: Bagahe tells the story of an OFW, Mercy Agbunag. As the whole family celebrates her homecoming, NBI agents appear at the doorstep to invite Mercy to join them for an investigation of a case about a newborn child thrown into a trash bin of an airplane toilet, and she is believed to be a suspect. As Mercy undergoes a rigid examination of testimonies and pieces of evidence, she is turned over to different social entities – police, hospital, shelter, media, church, and bureaucrats. What unfolds is the whole truth behind a mother who is abused, and the measures in which she is taken care of by her motherland.